Film in brief: The Golden Compass
Jan. 8th, 2008 08:08 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Having heard plenty of negative comments about this film I was actually surprised to find that it wasn’t quite as terrible as it could have been, which is to say that it was... alright. Not atrocious but not particularly impressive either. Moderate and almost bordering on the bland would probably cover it and it’s really not the best of measures when I can watch a film and tell that huge chunks of the story have been left out even though I’ve not yet read the novel it’s based on.
I don’t really have much more of a comment to make on the matter because the film itself was quite forgettable. The fight scene in the second half was a bit tedious for something so darkly lit though I suppose the dæmon explosions were a nice way to illustrate a fight dramatically without excess blood splatter and the music was a little on the poor side but other than that there wasn’t much more too it. I would have liked to have heard a little more of the Magisterium’s propaganda because the film seemed to suggest that they were doing what they were doing because they were the bad guys and that’s just what they did which seems rather unrealistic since even if there are some who are at it because they can; usually the villains tend to believe that they’re doing the right thing. Since Lyra lives in some alternate reality Oxford I can’t complain about her accent either and other than twitching slightly at the Panserbjørne culture as a general fantasy stereotype or wondering if a La Esmeralda would turn up there was hardly much else to complain about. Though that appears to be the general theme of the film; moderation in everything to the point where there’s nothing worth troubling yourself over.
Interestingly, from a quick glance over the trilogy plotline I’m not at all seeing cause for the complaint that the entire story is anti theism particularly. Having spoilered myself completely, the fact that it’s the first angel to emerge from the Dust that gets destroyed at the end seems to play more on the theme of suggesting that even angels shouldn’t attempt to presume to know divine will and impose their own order on it. The matter of the doorways between worlds seems very much to be a case of arguing that you ought to work within the means that you’ve been given rather than trying to substitute something else and that it’s no good thinking that you can escape your situation by just running off to somewhere fantastical rather than dealing with it. All of which doesn’t strike me as very anti theist at all because if anything it’s an argument that no single individual should think themselves greater than a divine power that has deliberately given every individual free will and the means to personal growth. Guidance can be offered but nobody can make decisions for anybody else when it really comes down to it and whether you take that to mean that everyone is equally valid as an individual without bothering with theological considerations or whether you take it to mean that a deity has granted everybody the potential to grow as individuals through the exercising of free and thus to attempt to curtail that free will is an affront to said divine creator, it all essentially boils down to the very same thing.
From a theist standpoint then there really would be no reason for the film to be objectionable since it can be taken to reinforce the notion that divine will is beyond mortal comprehension and that people should continue living as best they can and from an atheist standpoint it’s exactly the same thing just lacking the divine will bit.
Of course if anybody’s objecting I suppose it’ll be those folks who like to place restrictions on spirituality and would like to believe that conduit with the divine is something that humanity can tax and limit in some odd hierarchy. Though the thing there would be that there’s a good deal of difference between some villain attempting to limit a layman’s understanding of the divine deliberately and said layman going to a religious authority to assist in his understanding because said authority, having studied and dedicated an entire lifetime to such things, would probably know how to better explain the matter to him. All of which makes me wonder if there’s some deliberate Vatican conspiracy going on where they’re actually using some very skilled tactics in condemning films like The Golden Compass and The Da Vinci Code knowing that it’ll promote interest and thus discussion and questioning of actual human behaviour. Because what each case really seems to get at is the necessary goodness of human endeavour regardless of arguments over little theological details and as curious as that may sound, I really am getting suspicious because as much as he may look like some manner of Sith Lord; Herr Pope is by reputation a very clever man indeed.
I don’t really have much more of a comment to make on the matter because the film itself was quite forgettable. The fight scene in the second half was a bit tedious for something so darkly lit though I suppose the dæmon explosions were a nice way to illustrate a fight dramatically without excess blood splatter and the music was a little on the poor side but other than that there wasn’t much more too it. I would have liked to have heard a little more of the Magisterium’s propaganda because the film seemed to suggest that they were doing what they were doing because they were the bad guys and that’s just what they did which seems rather unrealistic since even if there are some who are at it because they can; usually the villains tend to believe that they’re doing the right thing. Since Lyra lives in some alternate reality Oxford I can’t complain about her accent either and other than twitching slightly at the Panserbjørne culture as a general fantasy stereotype or wondering if a La Esmeralda would turn up there was hardly much else to complain about. Though that appears to be the general theme of the film; moderation in everything to the point where there’s nothing worth troubling yourself over.
Interestingly, from a quick glance over the trilogy plotline I’m not at all seeing cause for the complaint that the entire story is anti theism particularly. Having spoilered myself completely, the fact that it’s the first angel to emerge from the Dust that gets destroyed at the end seems to play more on the theme of suggesting that even angels shouldn’t attempt to presume to know divine will and impose their own order on it. The matter of the doorways between worlds seems very much to be a case of arguing that you ought to work within the means that you’ve been given rather than trying to substitute something else and that it’s no good thinking that you can escape your situation by just running off to somewhere fantastical rather than dealing with it. All of which doesn’t strike me as very anti theist at all because if anything it’s an argument that no single individual should think themselves greater than a divine power that has deliberately given every individual free will and the means to personal growth. Guidance can be offered but nobody can make decisions for anybody else when it really comes down to it and whether you take that to mean that everyone is equally valid as an individual without bothering with theological considerations or whether you take it to mean that a deity has granted everybody the potential to grow as individuals through the exercising of free and thus to attempt to curtail that free will is an affront to said divine creator, it all essentially boils down to the very same thing.
From a theist standpoint then there really would be no reason for the film to be objectionable since it can be taken to reinforce the notion that divine will is beyond mortal comprehension and that people should continue living as best they can and from an atheist standpoint it’s exactly the same thing just lacking the divine will bit.
Of course if anybody’s objecting I suppose it’ll be those folks who like to place restrictions on spirituality and would like to believe that conduit with the divine is something that humanity can tax and limit in some odd hierarchy. Though the thing there would be that there’s a good deal of difference between some villain attempting to limit a layman’s understanding of the divine deliberately and said layman going to a religious authority to assist in his understanding because said authority, having studied and dedicated an entire lifetime to such things, would probably know how to better explain the matter to him. All of which makes me wonder if there’s some deliberate Vatican conspiracy going on where they’re actually using some very skilled tactics in condemning films like The Golden Compass and The Da Vinci Code knowing that it’ll promote interest and thus discussion and questioning of actual human behaviour. Because what each case really seems to get at is the necessary goodness of human endeavour regardless of arguments over little theological details and as curious as that may sound, I really am getting suspicious because as much as he may look like some manner of Sith Lord; Herr Pope is by reputation a very clever man indeed.
(no subject)
Date: 2008-01-08 08:58 pm (UTC)Although I will qualify that point, having attended a different Catholic high school for my last two years of public education in Canada, where we had reading/discussion groups on as varied topics as Buddhism, Carlos Casteneda, Teilhard de Chardin, Plato, Nietzsche/German School, Blavatsky, and some of the French School under the catch-all banner "Philosophy" (Is Buddhism really a philosophy?) ie., not all Catholic systems are restrictive or regressive.
The last few points about how censorship kerfuffles give the oddball hierarchy something to do and something to make the rest of the uninterested population aware of its incipient busy-ness which basically amounts to free advertising, are good ones. Humourous, too, if the truth of it wasn't so damned exasperating.
(no subject)
Date: 2008-01-10 04:44 pm (UTC)I remember reading somewhere that the Opus Dei organisation had an influx of interest after the release of The Da Vinci Code so I suppose all that’s needed now is some film that stirs up interest in the Congregation of the Doctrine of Faith and maybe in a generation or two the College of Cardinals will be looking at a bit of an influx of very traditional Cardinals.
(no subject)
Date: 2008-01-12 12:44 am (UTC)I'm not surprised by Opus Dei's numbers being reinforced rather than diminished by DVCode, but the people who are drawn to it would've been involved with one lay brother/sister organization or another, I think. The shame of it is at least some of those lay organizations have some practical use in the service community. A friend of mine points out that most churches are used as social clubs and there isn't really all that much wholesale belief in what they teach.
(no subject)
Date: 2008-01-13 01:25 pm (UTC)The only thing that makes me wonder is the presentation of Opus Dei in that film because it certainly wasn’t presented in a terribly friendly light. Though I suppose if the name is mentioned then people can easily go look up the real thing. Your friend may well be right in some cases though comments like that are forever making me wonder at a childhood of religions indoctrination. Everybody else who ever mentions that sort of thing seems to have had a much less regimented time of it which probably means I should be grateful for my narrow escape from the prospect of Holy Orders.
(no subject)
Date: 2008-01-13 10:47 pm (UTC)But there is, undoubtedly, some sort of spiritual connection for some people. I don't know how they maintain it under the weight of all that creed and ritual, but there was a time when I was very attracted to Catholicism, especially the Marion worship aspect, something which I just as freely and easily extended to Quan Yin or the White Tara, hosts of Hindu Goddesses --- so it wasn't the Catholicism, so much as an embodiment of wisdom/compassion or the concept of the Thrones that I was interested in at the time. Even with spirituality itself, the church was secondary and, well, somewhat irrelevant. In fact, they were a nuisance in that they kept getting in the way of the actual spirituality. Anyway, that was then ...
(no subject)
Date: 2008-01-15 03:24 pm (UTC)(no subject)
Date: 2008-01-09 05:47 am (UTC)(no subject)
Date: 2008-01-10 04:51 pm (UTC)(no subject)
Date: 2008-01-11 03:58 am (UTC)While I agree that C. S. Lewis pretty much hits his readers over the head with the religion and that he's as heavy handed about it as Pullman is with the anti-religion, that doesn't mean that you're going to make readers suffer through your issues. This interview with Pullman pretty much says it all about the way he thinks;
http://www.surefish.co.uk/culture/features/pullman_interview.htm
(no subject)
Date: 2008-01-11 02:25 pm (UTC)Of course I do see what Pullman is saying and that seems to reflect his annoyance at the idea that spiritual growth can be mandated by authorities or that it can be deliberately kept secret from the wider population. As bitter as he may seem, I have to respect his view that society needs to deal with the tangible rather than ignore what can be changed for the better while retreating into a belief in the hereafter instead. I can’t argue with that after all because that’s my standpoint too in so far as I may choose not to believe in a higher power but that doesn’t mean that I shouldn’t live as humane a life as possible. And if at the end of the day it turns out that I’m wrong and a single divinity exists I don’t believe that I’ll be faulted for one detail against the way I’ve tried to lived, likewise if the opposite is true then I’ll be able to go into void knowing that I’ve at least tried to do my part.