narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (receding)
Briefly )

Quotes )
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (Default)
"Silence propagates itself, and the longer talk has been suspended, the more difficult it is to find anything to say."

- Samuel Johnson
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (Default)
"When people are waiting, they are bad judges of time, and every half minute seems like five." (p. 96)

"What was there now to add, but that he should learn to prefer soft light eyes to sparkling dark ones. – And being always with her, and always talking confidentially, and his feelings exactly in that favourable state which a recent disappointment gives, those soft light eyes could not be very long in obtaining the pre-eminence." (p. 437)

- Austen J. 2003. Mansfield Park. London: Penguin Classics.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (devious)
"Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken; but where, as in this case, though the conduct is mistaken, the feelings are not, it may not be very material."

- Austen J. 2003. Emma. p. 339. Oxford: Oxford University Press.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (abbreviation)
"To youth and natural cheerfulness like Emma’s, though under temporary gloom at night, the return of day will hardly fail to bring return of spirits. The young and cheerfulness of the morning are in happy analogy, and of powerful operation; and if the distress be not poignant enough to keep the eyes unclosed, they will be sure to open to sensations of softened pain and brighter hope." (p. 109)

"A sanguine temper, though for ever expecting more good than occurs, does not always pay for its hopes by a proportionate depression. It soon flies over the preset failure, and begins to hope again." (p. 113)

- Austen J. 2003. Emma. Oxford: Oxford University Press.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (Default)
"The back door – itself fourteen feet high like the stone wall that enclosed the house from the street – led into a garden that was somewhat neglected but still green, and which boasted two gnarled olive tress and a birdbath made of an ancient-looking statue of a naked boy holding a wide shallow bowl. It was just the garden for a Venetian palace, slightly run down, in need of some restoration which it was not going to get, but indelibly beautiful because it had sprung into the world so beautiful more than two hundred years ago." (p. 184)

"'I certainly do envy you sitting there in Venice in an old palazzo!' Bob wrote. 'Do you take a lot of gondola rides? How are the girls? Are you getting so cultured you won’t speak to any of us when you come back? How long are you staying, anyway?'
Forever, Tom thought." (p. 214)

- Highsmith, P. 1976. The Talented Mr Ripley. London: Penguin Books.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (curio)
"Vanity and pride are different things, though the words are often used synonymously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us."

- Austen, J. 1994. Pride and Prejudice p. 18. London: Penguin Books
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (lazy)
“Did you make the reservations?” Trent calls again.
“You have any meth?” Chris calls back to Trent.
“No,” Trent calls back. “Who made the reservations?”
“Yes, I made them,” Rip shouts. “Now shut up.”
“Do any of your guys have any meth?” Chris asks.
“Meth?” Atiff asks.
“Look, we don’t have any meth,” I tell him.
The music stops.

- Easton Ellis, B. 1987. Less Than Zero. p. 112. New York: Viking Penguin Inc.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (devious)
Post-István arc. Dietrich/Esther.

"For people who depend on others, do you know what the most painful thing is?"
"Naturally, for people who depend on others, the worst thing is to lose the other person."
"Wrong. It’s when the other person changes, Marionettenspieler."


Read more... )
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (receding)
"I think it’s the same with all relationships between a man and a woman. They can survive anything so long as some kind of basic humanity exists between the two people. When all kindness has gone, when one person obviously and sincerely doesn’t care if the other is alive or dead, then it’s just no good. That particular insult to the ego – worse, to the instinct of self-preservation – can never be forgiven. I’ve noticed this in hundreds of marriages. I’ve seen flagrant infidelities patched up, I’ve seen crimes and even murder forgiven by the other party, let alone bankruptcy and every other form of social crime. Incurable disease, blindness, disaster – all these can be overcome. But never the death of common humanity in one of the partners. I’ve thought about this and I’ve invented a rather high-sounding title for this basic factor in human relations. I have called it the Law of the Quantum of Solace."

- Fleming, I. 2006. "Quantum of Solace." For Your Eyes Only. p.118. London: Viking Press.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (Default)
"Consciousness is a very recent acquisition of nature, and it is still in an “experimental” state. It is frail, menaced by specific dangers, and easily injured."

- Jung, C. 1978. Man and his Symbols p. 6. London: Picador
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (lazy)
'Do you have any alcohol?' I asked, laughing.
'I have alcohol?' he asked himself. 'Do I?'
'You do?' I asked.
'I don't... have any,' he said, starting to laugh also.

- Easton Ellis, B. 1988. The Rules of Attraction, p. 82. London: Picador.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (dreaming)
"Writers are people who write. By and large, they are not happy people. They're not good at relationships. Often they're drunks. And writing -- good writing -- does not get easier and easier with practice. It gets harder and harder -- so eventually the writer must stall out into silence. The silence that waits for every writer and that, inevitably, if only with death (if we're lucky the two may happen at the same time: but they are still two, and their coincidence is rare), the writer must fall into is angst-ridden and terrifying - and often drives us mad. (In a letter to Allen Tate, the poet Hart Crane once described writing as "dancing on dynamite.") So if you're not a writer, consider yourself fortunate."

- Samuel R. Delany’s About Writing quoted here.

Cameron, education, saints & fairytales )
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (reading)
"Every human action can be explained by what precedes it, but that does not excuse it."

- De Becker, G. 1997: The Gift of Fear and Other Survival Signs that Protect us from Violence. p. 216. New York: Dell Publishing.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (reading)
"Niceness is a decision, a strategy of social interaction; it is not a character trait."

- De Becker, G. 1997: The Gift of Fear and Other Survival Signs that Protect us from Violence. p. 67. New York: Dell Publishing.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (phantasmagoric)
"...someone asks, simply, not in relation to anything, “Why?” and though I’ve very proud that I have cold blood and that I can keep my nerve and do what I’m supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: “Well, though I know I should have done that instead of not doing it, I’m twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me behave, and this is what being Patrick means to me, I guess, so, well, yup, uh…” and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry’s is a sign and on that sign in letters that match the drapes' colour are the words THIS IS NOT AN EXIT."

- Easten-Ellis, B. 1991. American Psycho, p. 383-384. London: Picador.
narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (consideration)
A handful of notes )

Profile

narcasse: Sebastian Flyte.  Brideshead Revisited (2008) (Default)
Narsus

June 2017

S M T W T F S
    123
45678910
11121314151617
181920212223 24
252627282930 

Syndicate

RSS Atom
weebly statistics

Style Credit

Expand Cut Tags

No cut tags