(no subject)
Mar. 25th, 2009 01:59 pm"When people are waiting, they are bad judges of time, and every half minute seems like five." (p. 96)
"What was there now to add, but that he should learn to prefer soft light eyes to sparkling dark ones. – And being always with her, and always talking confidentially, and his feelings exactly in that favourable state which a recent disappointment gives, those soft light eyes could not be very long in obtaining the pre-eminence." (p. 437)
- Austen J. 2003. Mansfield Park. London: Penguin Classics.
"What was there now to add, but that he should learn to prefer soft light eyes to sparkling dark ones. – And being always with her, and always talking confidentially, and his feelings exactly in that favourable state which a recent disappointment gives, those soft light eyes could not be very long in obtaining the pre-eminence." (p. 437)
- Austen J. 2003. Mansfield Park. London: Penguin Classics.
(no subject)
Mar. 6th, 2009 08:11 pm"Seldom, very seldom, does complete truth belong to any human disclosure; seldom can it happen that something is not a little disguised, or a little mistaken; but where, as in this case, though the conduct is mistaken, the feelings are not, it may not be very material."
- Austen J. 2003. Emma. p. 339. Oxford: Oxford University Press.
- Austen J. 2003. Emma. p. 339. Oxford: Oxford University Press.
(no subject)
Mar. 4th, 2009 09:16 am"To youth and natural cheerfulness like Emma’s, though under temporary gloom at night, the return of day will hardly fail to bring return of spirits. The young and cheerfulness of the morning are in happy analogy, and of powerful operation; and if the distress be not poignant enough to keep the eyes unclosed, they will be sure to open to sensations of softened pain and brighter hope." (p. 109)
"A sanguine temper, though for ever expecting more good than occurs, does not always pay for its hopes by a proportionate depression. It soon flies over the preset failure, and begins to hope again." (p. 113)
- Austen J. 2003. Emma. Oxford: Oxford University Press.
"A sanguine temper, though for ever expecting more good than occurs, does not always pay for its hopes by a proportionate depression. It soon flies over the preset failure, and begins to hope again." (p. 113)
- Austen J. 2003. Emma. Oxford: Oxford University Press.
(no subject)
Feb. 22nd, 2009 03:27 pm"The back door – itself fourteen feet high like the stone wall that enclosed the house from the street – led into a garden that was somewhat neglected but still green, and which boasted two gnarled olive tress and a birdbath made of an ancient-looking statue of a naked boy holding a wide shallow bowl. It was just the garden for a Venetian palace, slightly run down, in need of some restoration which it was not going to get, but indelibly beautiful because it had sprung into the world so beautiful more than two hundred years ago." (p. 184)
"'I certainly do envy you sitting there in Venice in an old palazzo!' Bob wrote. 'Do you take a lot of gondola rides? How are the girls? Are you getting so cultured you won’t speak to any of us when you come back? How long are you staying, anyway?'
Forever, Tom thought." (p. 214)
- Highsmith, P. 1976. The Talented Mr Ripley. London: Penguin Books.
"'I certainly do envy you sitting there in Venice in an old palazzo!' Bob wrote. 'Do you take a lot of gondola rides? How are the girls? Are you getting so cultured you won’t speak to any of us when you come back? How long are you staying, anyway?'
Forever, Tom thought." (p. 214)
- Highsmith, P. 1976. The Talented Mr Ripley. London: Penguin Books.
(no subject)
Feb. 16th, 2009 01:24 pm“Did you make the reservations?” Trent calls again.
“You have any meth?” Chris calls back to Trent.
“No,” Trent calls back. “Who made the reservations?”
“Yes, I made them,” Rip shouts. “Now shut up.”
“Do any of your guys have any meth?” Chris asks.
“Meth?” Atiff asks.
“Look, we don’t have any meth,” I tell him.
The music stops.
- Easton Ellis, B. 1987. Less Than Zero. p. 112. New York: Viking Penguin Inc.
“You have any meth?” Chris calls back to Trent.
“No,” Trent calls back. “Who made the reservations?”
“Yes, I made them,” Rip shouts. “Now shut up.”
“Do any of your guys have any meth?” Chris asks.
“Meth?” Atiff asks.
“Look, we don’t have any meth,” I tell him.
The music stops.
- Easton Ellis, B. 1987. Less Than Zero. p. 112. New York: Viking Penguin Inc.
Trinity Blood double-drabble: Calamity
Jan. 29th, 2009 12:52 amPost-István arc. Dietrich/Esther.
"For people who depend on others, do you know what the most painful thing is?"
"Naturally, for people who depend on others, the worst thing is to lose the other person."
"Wrong. It’s when the other person changes, Marionettenspieler."
( Read more... )
"For people who depend on others, do you know what the most painful thing is?"
"Naturally, for people who depend on others, the worst thing is to lose the other person."
"Wrong. It’s when the other person changes, Marionettenspieler."
( Read more... )
(no subject)
Dec. 4th, 2008 09:15 pm"I think it’s the same with all relationships between a man and a woman. They can survive anything so long as some kind of basic humanity exists between the two people. When all kindness has gone, when one person obviously and sincerely doesn’t care if the other is alive or dead, then it’s just no good. That particular insult to the ego – worse, to the instinct of self-preservation – can never be forgiven. I’ve noticed this in hundreds of marriages. I’ve seen flagrant infidelities patched up, I’ve seen crimes and even murder forgiven by the other party, let alone bankruptcy and every other form of social crime. Incurable disease, blindness, disaster – all these can be overcome. But never the death of common humanity in one of the partners. I’ve thought about this and I’ve invented a rather high-sounding title for this basic factor in human relations. I have called it the Law of the Quantum of Solace."
- Fleming, I. 2006. "Quantum of Solace." For Your Eyes Only. p.118. London: Viking Press.
- Fleming, I. 2006. "Quantum of Solace." For Your Eyes Only. p.118. London: Viking Press.
"Writers are people who write. By and large, they are not happy people. They're not good at relationships. Often they're drunks. And writing -- good writing -- does not get easier and easier with practice. It gets harder and harder -- so eventually the writer must stall out into silence. The silence that waits for every writer and that, inevitably, if only with death (if we're lucky the two may happen at the same time: but they are still two, and their coincidence is rare), the writer must fall into is angst-ridden and terrifying - and often drives us mad. (In a letter to Allen Tate, the poet Hart Crane once described writing as "dancing on dynamite.") So if you're not a writer, consider yourself fortunate."
- Samuel R. Delany’s About Writing quoted here.
( Cameron, education, saints & fairytales )
- Samuel R. Delany’s About Writing quoted here.
( Cameron, education, saints & fairytales )
(no subject)
Jun. 11th, 2008 10:24 pm"...someone asks, simply, not in relation to anything, “Why?” and though I’ve very proud that I have cold blood and that I can keep my nerve and do what I’m supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: “Well, though I know I should have done that instead of not doing it, I’m twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me behave, and this is what being Patrick means to me, I guess, so, well, yup, uh…” and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry’s is a sign and on that sign in letters that match the drapes' colour are the words THIS IS NOT AN EXIT."
- Easten-Ellis, B. 1991. American Psycho, p. 383-384. London: Picador.
- Easten-Ellis, B. 1991. American Psycho, p. 383-384. London: Picador.